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https://victoria.rebelmouse.dev/morgan-wallens-last-night-leads-hot-100-for-10th-week-luke-combs-fast-car-hits-top-five

Morgan Wallen’s ‘Last Night’ Leads Hot 100 for 10th Week, Luke Combs’ ‘Fast Car’ Hits Top Five

Morgan Wallen’s ‘Last Night’ Leads Hot 100 for 10th Week, Luke Combs’ ‘Fast Car’ Hits Top Five

Morgan Wallen’s “Last Night” achieves a 10th week at No. 1 on the Billboard Hot 100 songs chart. It becomes the 44th song since the Hot 100 began in August 1958 to reign for 10 or more weeks, out of 1,149 total No. 1s – an achievement that only 4% of all leaders have attained.

Plus, Luke Combs’ cover of Tracy Chapman’s classic “Fast Car” keeps on driving, advancing from No. 8 to No. 4 on the Hot 100. The song surpasses the No. 6 peak in 1988 of Chapman’s original – and, combined with Wallen’s “Last Night,” makes for two simultaneous top five country hits for the first time since 2000.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data. All charts (dated June 17, 2023) will update on Billboard.com tomorrow (June 13). For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Wallen’s “Last Night,” released on Big Loud/Mercury/Republic Records, drew 68.8 million radio airplay audience impressions (up 4%) and 31 million streams (down 6%) and sold 8,000 downloads (down 6%) in the June 2-8 tracking week, according to Luminate.

The song, which initially led the Hot 100 in March, becoming Wallen’s first leader on the list, adds a 12th week at No. 1 on the Streaming Songs chart; holds at its No. 4 high on Radio Songs; and rebounds 6-4 on Digital Song Sales, following a week on top.

Additionally, “Last Night” tops Billboard’s Hot Country Songs chart, which employs the same multi-metric methodology as the Hot 100, for an 18th week – tying for the 10th-longest command since the chart became an all-encompassing genre survey in October 1958. Wallen is the only soloist with two of the 10 longest-leading Hot Country Songs hits in that span, as his “You Proof” amassed 19 weeks on top in 2022.

“Last Night” concurrently leads the Country Airplay chart for a sixth week and holds at its No. 10 best on the Pop Airplay chart. It became Wallen’s ninth No. 1 on the former and his first top 10 on the latter list.

“Last Night” is also the hottest hit on Billboard’s Songs of the Summer chart, which returned a week earlier.

Miley Cyrus’ “Flowers” lifts 3-2 on the Hot 100, after eight weeks at No. 1 beginning upon its debut in January. It posts a 17th week atop Radio Songs (87 million in audience, essentially even week-over-week). The track now solely boasts the third-longest reign since Radio Songs began in December 1990 – and claims outright the longest domination for a song by a woman.

Most Weeks at No. 1 on Radio Songs:

  • 26, “Blinding Lights,” The Weeknd, 2020
  • 18, “Iris,” Goo Goo Dolls, 1998
  • 17, “Flowers,” Miley Cyrus, 2023
  • 16, “Girls Like You,” Maroon 5 feat. Cardi B, 2018
  • 16, “We Belong Together,” Mariah Carey, 2005
  • 16, “Don’t Speak,” No Doubt, 1996-97
  • 15, “Easy On Me,” Adele, 2021-22

Rema and Selena Gomez’s “Calm Down” rises to a new No. 3 Hot 100 high, from No. 5. (It reaches the top three in its 40th week on the chart, the fifth-longest ascent to the region; Glass Animals’ “Heat Waves” took a record 51 weeks to the top three in 2021-22.) “Calm Down” also tops the Billboard U.S. Afrobeats Songs chart for a 41st week, extending the longest reign since the ranking began over a year ago (in partnership with music festival and global brand Afro Nation).

Luke Combs’ cover of Tracy Chapman’s “Fast Car” accelerates to a new No. 4 Hot 100 high. The song bests the No. 6 peak, in August 1988, of Chapman’s original. Three weeks ago, Combs’ version became the 16th remake of an ‘80s Hot 100 top 10 to also reach the tier. As his has now charted higher than Chapman’s, of those 16 such double-ups, covers have peaked higher than originals in only five cases.

Notably, Chapman, who solely wrote “Fast Car,” appears in the Hot 100’s top five with a second hit as a songwriter: “Give Me One Reason,” which she also penned solo, and which became her other top 10 as a recording artist, hit No. 3 in June 1996.

Combs adds his second top five Hot 100 hit, after “Forever After All” debuted at its No. 2 peak in November 2020.

“Fast Car” wins the Hot 100’s top Airplay Gainer award for a third consecutive week (34.2 million, up 30%). As previously reported, it hits the Country Airplay top 10 and ranks in the top 25 on Adult Contemporary, Adult Pop Airplay and Pop Airplay. The song is also up 1% to 20.2 million streams and 4% to 9,000 sold.

Meanwhile, with Wallen’s “Last Night” at No. 1 and Combs’ “Fast Car” parked at No. 4, two country hits (as defined by titles that have hit Billboard’s Hot Country Songs chart, where they currently place at Nos. 1 and 2, respectively) rank in the Hot 100’s top five simultaneously for the first time in over 23 years: for eight weeks in February-April 2000, Lonestar’s “Amazed” and Faith Hill’s “Breathe” shared space in the top five. (Before that, such tandems had not occurred since September 1981, when Juice Newton’s “Queen of Hearts” and Ronnie Milsap’s “[There’s] No Gettin’ Over Me” ranked in the top five together.)

A pair of country songs appearing in the Hot 100’s top five for the first time in nearly a quarter-century continues the genre’s surge this year; as analyzed by Hit Songs Deconstructed, country tied pop as the most prominent primary genres in the chart’s top 10 in Q1 2023, marking country’s best such showing in over a decade.

Lil Durk’s “All My Life,” featuring J. Cole, dips 4-5 on the Hot 100, three weeks after it launched at its No. 2 high. It tops the multi-metric Hot R&B/Hip-Hop Songs and Hot Rap Songs for a third week each. SZA’s “Kill Bill” keeps at No. 6 on the Hot 100, after it became her first No. 1, for a week in April. It leads the multi-metric Hot R&B Songs chart for a 25th week.

Toosii’s “Favorite Song” rebounds 9-7 on the Hot 100, after hitting No. 5. Eslabon Armado and Peso Pluma’s “Ella Baila Sola” retreats 7-8 on the Hot 100, after reaching No. 4 – the best rank ever for a regional Mexican song. It posts a 10th week at No. 1 on the multi-metric Hot Latin Songs chart.

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’ ” repeats at No. 9 on the Hot 100, after hitting No. 3, and, rounding out the top 10, Taylor Swift’s “Karma,” featuring Ice Spice, falls to No. 10 from its No. 2 high, a week after it vaulted (from No. 27) following the first week of tracking after the release of its remix with Ice Spice. Still, “Karma” hits the Radio Songs top 10 (12-7; 45.6 million, up 19%), becoming Swift’s 18th top 10, as she ties for the seventh-best sum (Rihanna leads with 30), and Ice Spice’s second.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated June 17), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (June 13).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

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Welcome to News Originals with me, Bev, here in Washington, D.C.The inability of human beings to put down their mobile phones is destroying relationships and detonating families. Ask any parent of teenagers what causes the most conflict in their house, and I promise you they'll say it's the perpetual nagging of "Put that down!", the vanishing attention span, the boyfriend breakup that can't be left at the front door, and the school bully who now travels home in your child's pocket.We don't need a government to tell us these devices are harming our kids. We are painfully aware of it. But Starmer's social media ban for under-16s will do nothing meaningful to address the addictive and destructive nature of these platforms. Kids will find workarounds. Parents will create fake accounts to stop the constant nagging. Some children will simply be allowed access to Snapchat because their parents want them to talk to their friends after school, as kids have always done.But be under no illusion. For all of us, this is the creaking open of the digital cage door, dressed up as a welcoming velvet rope.Just as narrative control once meant that arguing against unscientific lockdowns rendered you a "granny killer," arguing that this TikTok ban is wrong will now make you a "paedophile enabler." It does not.Every right-minded person wants children to grow up safely. The paedophiles won't disappear. They'll move to gaming platforms or other sites accessed through VPNs. They'll go back to hanging around school gates, as they did in the old days.If you have any imagination at all, and can see where this inevitably leads, you know that none of it is good. It will fundamentally change the relationship between the individual and the internet in the UK, potentially forever.The addictive nature of the algorithm is our true enemy. Call out the tech companies for that. Demand to see their research into targeted advertising.One of the most pernicious stories I've ever heard is that if a teenage girl takes a selfie and then deletes it, her phone can immediately serve up a makeup advert designed to catch her at her most vulnerable moment.So why is it up to me, rather than Keir Starmer, to tell you about that?Have you ever heard him criticising the tech bros whose own children rarely hold a smartphone? No, not really. That might make conversations around the Davos dinner table a little awkward.Do you feel that any politician has genuinely helped parents and children arm themselves against this influence through tools or apps that actually work?Not a single MP seems to be begging teachers to remove screens from classrooms and homework altogether, as they have done in Sweden.The antidote to staring at a wall, as one girl said in an interview today, is sport. It's music. It's drama. It's clubs. Invest in our teenagers if you genuinely want to get them out of their bedrooms.I freely admit that parents should not be left to fight the largest technology companies in the world on our own. It is not a fair fight.I tell my children that their phones are designed to make them addicted. It is up to them to develop the discipline to put them down and switch them off.And as parents, we must model that behaviour ourselves. Mealtimes with phones out of sight. Not constantly walking around with one in our hand. Charging them downstairs at night.It isn't easy. But good parenting has never been easy.The cost of this policy is so significant that it's no wonder Starmer is presenting it as a parting gift before he is potentially forced from office. He is, in my view, fulfilling the ambitions of a global surveillance framework championed by his allies at the UN, the WHO and the WEF.And if he can get this critical piece of digital infrastructure over the line, he'll likely walk into a very well-paid position at the NGO top table, because it is going to make a small number of people extremely rich.Let me ask you this:How do you stop a 13-year-old from using Snapchat without checking the 30-year-old as well?You can't.So every one of us is going to have our faces scanned.We are effectively cut-and-pasting the Australian model, a model many assume has already proven successful. Not necessarily. It was only implemented in December last year. It is far too soon to know whether it has had any meaningful impact on grooming, bullying, self-harm, poor mental health, or teenage wellbeing more broadly.Yes, there has been a measurable decline in child accounts. But how many of those users simply claimed to be adults and created new accounts?That doesn't prove children are safer.We can watch and learn from Australia. But we cannot pretend the experiment has already delivered a definitive verdict. It hasn't.Starmer described the ban as "a huge step for our country." He said it represents our values and forms part of a cultural transformation in how children grow up.But the government has no evidence that a blanket ban will work better than targeted restrictions on harmful features such as addictive algorithms.In reality, this means that before you, as an adult, read a post, store a photo, or send a message, you'll be expected to prove your identity and demonstrate that you're a citizen pre-approved to access information.Who do they think they are?Empty our bins. Fix our roads. Run our hospitals.Otherwise, get out of our lives.The default setting of Britain used to be that the state left you alone unless you gave it a reason not to. That principle has been gradually eroded—and much more quickly in recent years.This isn't a boot stamping on a face. You would have rejected that. Instead, it's the slow erosion of individual freedom.Now you're presumed to be a suspect with a phone until you prove otherwise.They didn't ask you, "Do you mind if we build a national biometric database?"Because most of us would have said, "No thanks. I'm quite happy without one."Instead, they effectively ran a pilot scheme through online pornography.Almost a year ago, age-verification checks for adult content went live in the UK. Predictably, Pornhub traffic reportedly fell by 77%.That may not be a bad thing. But let's be honest: VPN sales surged.How many of those VPNs ended up in the hands of teenagers whose parents can no longer see what they're doing online?There were no marches in the streets. No television panellists screaming outrage because, frankly, unrestricted access to pornography is not a cause many people are prepared to publicly champion.But the government paid attention. Then it moved on to stage two.Apple and Google have now been ordered to install software capable of examining user content, under threat of criminal penalties if they refuse. Refusing to comply could expose executives to prison sentences of up to five years.And remember: in September 2025, Starmer stood behind a lectern and announced a mandatory digital ID scheme with the confidence of a man who assumed it would be popular.Britain's digital ID push isn't about streamlining paperwork. It's about hardwiring state power into everyday life.The public responded with almost three million signatures on a single petition—the fourth-largest petition in parliamentary history.He completely underestimated you.Public support for digital ID collapsed from +35 to -14.That was the nation telling the Prime Minister a very clear "No."And who decides which platforms are dangerous?There is already outrage online that Bluesky—the self-described "nice" platform—is exempt from this ban.I spent a few minutes looking through it today. It was a mixture of sunset photographs and some of the most bitter political activists imaginable, demanding boycotts and bans against anyone who steps outside their narrow ideological boundaries.I can see why Keir Starmer likes it.This generation of 16-year-olds has been given the vote, but not the ability to read about politics online.Perhaps the BBC will do that job for the government.This government doesn't seem particularly concerned about preventing violent crime, but it does seem very concerned about limiting what people can see and discuss online.Social media, of course, is not the first technology to transform teenage life.I remember stretching the telephone cord into the hallway so I could have a conversation without my parents listening.Teenagers are hard-wired to seek independence. They need private conversations with friends. That's important.They have always wanted spaces where adults aren't listening.A Snapchat call between friends is not the same thing as an algorithmically driven platform competing for a child's attention every waking hour.This debate has become far too simplistic.Social media is not pure poison.The real challenge lies in teaching young people how to live with technology, because they will have to do so for the rest of their lives.We teach children how to cross the road. We teach them about healthy eating.Why aren't we teaching attention management?Why aren't we teaching children practical techniques for putting their phones down?How to recognise addictive design features.How to switch notifications off.How to create phone-free periods during the day.How to sleep without a device beside the bed.How to concentrate on one task at a time.These are life skills now—perhaps some of the most important life skills of all.A social media ban may help some families. It may help children who are compliant and responsive to authority. It may reduce exposure to harmful content. For some, it may ease the relentless pressure of online life.Let's hope it does.But at what cost to our civil liberties?No law can replace engaged and competent parents, empowered teachers, and children who have learned to control technology rather than be controlled by it.Let me know what you think in the comments.Like and share this wherever you can, and subscribe to GB News on YouTube.See you again soon.

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